Fabric Samples

In response to an earlier post in which Nicola and I discussed the possibility of producing rusty prints from rubbings, I have experimented with fabric swatches. Having begun with different weighted papers I found that too smooth or dry a surface encourages the rust to simply flake away. In order to make successful prints from the rust deposits a damp surface is needed. Samples previous to the paper below were dampened before rubbing but without prolonged contact with the damp surface, produced a weak print. The paper below was left overnight in damp conditions pressed against a pre-rusted paper clip chain.

 The results, though strong in colour, lack form.

I found that fabric treated with diluted vinegar and kept in the same conditions as the above, produced a far clearer print, with the fabric moulding to shape as it dried.

I think that making literal prints such as this could be an interesting way of making printed jewellery e.g. an emulative necklace or bracelet.

Repetition and Interrupted Patterns

This post is long overdue! A few images from my initial compositional experiments after receiving the first parcel. These should be ready soon - simple in their foundations for where I hope to move next.

Experimenting with length of links and weight.

After my initial experiments with the rusted paper clips, and the immediacy in creating my own chains, it seemed sensible to use the clips again as a base. I like the idea of building up layers, almost like chain mail and embedding the rescued fastenings within the links: 

It is an extremely rudimentary way of producing jewellery but I do find the process interesting - hopefully once I can partake in a workshop under Nicola's guidance I'll be more adept at construction with metal.

Interrupting the constant stream of the very identifiable form of the paper clips, I find very appealing visually, though I do look forward to seeing the finished product once the paper clips are fully rusted. The idea of having to study the piece before being aware of the interruption of the lovely hooks and eyes will, I hope, draw attention to the questions we are posing with this project. And if these chains react in the same way as in previous experiments, I hope to produce rusty rubbings (as suggested by Nicola in a previous comment - see post here) from the lengths of clips. I imagine this piece, when finished, will shed if worn. A nice nod back towards the ideas expressed in Nicola's final year project and a literal prompt to being conscious of value as the piece reacts with the wearer's day to day surroundings.

So as not to tamper too much with the state in which the hooks and eyes are currently, (they are beautiful, having rusted slowly in their own time), I intend to lace the majority of them into the paper clip chains after the paper clips emerge from their induced rusting. I like the idea of a contrast between the naturally affected and the immediacy of the induced samples.

I have also been experimenting with the idea of softer constructed pieces - creating loose concertinas and ruffles by stapling the ribbons Nicola sourced.

More soon.