Showing posts with label colour. Show all posts
Showing posts with label colour. Show all posts

Thursday, 5 January 2012

The Pink Basque








The pink basque and the pins both are from Nicola's final parcel to me. I have worked with the basque as a whole garment leaving it's actual form and structure untouched but thought it might be fun to play around with ideas of wearability, comfort and contact. These gold pins are very fragile and pliable to touch but when layered and lined up they become collectively strong and sharp. Immediately upon touching the basque, I am vulnerable to (mild!) pain which is thought provoking when considering our Re-worked aim of communicating preciousness in materials - making my own experience with this garment vulnerable inspires further awareness.
Aesthetically, I love the combination of the gold and baby pink and I like that the pins target only the elastic. This was partly because, already perforated, I was able to pass the pins through the material easily, the form of the pins unaffected but also because I felt it important to embellish only certain panels or sections of the basque.
The basque is a 'statement' piece, even without embellishment, reminding me of Madonna circa 80's and more recently, Lady Gaga.

Friday, 30 December 2011

Final Parcel for Nicola

I have tried to in some ways respond to the materials Nicola had sent to me in my final parcel for experimentation and to also, act on my own instincts when happening upon materials for Reworked. Below are images of the items I have collated, beginning with a trio of vintage gloves. I have been intrigued by the idea of our deconstructed, reworked pieces interacting with the wearer and thought a most immediate way of exploring this could be through the use of preworn gloves. The notion of covering/encasing hands in another skin of sorts (in this case, leather and suede) and then breaking down or affecting this protective layer is interesting.

Leather Lace Gloves
These are rather structured, a heavier leather, whilst still remaining soft and pliable. I love the lace detailing at the wrist. I also like the fact that this pair are joined with a little gold pin.



Soft Leather Long Gloves
These move almost fluidly - especially at the wrist, where obvious wear has occurred and the leather has puckered. The contrast between this soft area and the strong stitching on the back of the hand is lovely.


Brown Punctured Suede Gloves
I was drawn to the punctured surface of these gloves and to the colour - soft and feminine but also, a nod towards our 'broader' colour scheming! 

Recycling Centre Silk
This is a beautiful, piece of abandoned silk - the ends have been pulled and in areas, it is snagged but perfectly suited to our needs! I imagine this working well in printing.
Cotton Ladies Collar
This was a pre-Nicola's parcel purchase. I found it funny that both of us should choose collars as part of our experimentations. I am intrigued to see the contrast between Nicola and my's ideas for use. Though, of course working with and most likely being led by the materials (the men's collars I am working with are starched and Nicola's is soft cotton), I look forward to seeing our different interpretations side by side.
Gold and Silver Studs
Laser Cut Wool Circles
(A repeat item)
Itty Bitty Laser Cut Wool Circles
Though I have previously sent Nicola some of these wool circles, I wanted to send more (and made some tiny versions to allow more room to be playful with scale), when I was considering possibilities for embellishment of the gloves. I wonder if Nicola will see an entirely different outcome for either?

Deconstructed Vintage Bodice
This was part of a 1950s wedding dress. I guess that with this inclusion, I am largely responding to Nicola's pink corset top. I wanted too, to include a defined item as opposed to just fabric, but also wanted   to not be too rigid in suggesting it's use - hence my liking its deconstructed, pulled apart state. 




Charity Shop Buttons
I received these at the same time as some other fastenings for Reworked a long time ago and had other plans for them. They have, however sat rather lonely. I wonder if Nicola can, through the Reworked ethos, put them to better use? Perhaps they could have potential in branding and/or embellishment.
Natural Twine
(Another repeat item - given the earlier earthy browns/beiges, this inclusion is led purely by colour)
Staples (Lots of)
Found Rusties
I found each of these on the same day in November and loved their textures and shapes. I wonder if they could be included in some experiments? We have, to date, 'catalogued' some rusty finds but haven't actively used many in our explorations into form and texture.

I have also included in this parcel, sample sheets of light weight waxed cotton as I thought Nicola might like to try some branding similar to those she tried in an earlier post - the wax might produce some interesting resist-like results? I'm sure Nicola will have other ideas too!