Another Collar, in a Similar Vein

In considering with what next to 'affect' the other collars Nicola had sent me, I trawled through other bits and pieces that Nicola has sent over the course of the past few months and found these gold jump links below. I think that working with gold coloured fastenings/fasteners recently (as in the pink basque), has taken with me and I began stitching them onto the collar below. I think that it will make a lovely partner to the pearly collar once rusted up. I would like to source more of these rings for future experiments as (dependant on their ability to rust well), I believe there could be great scope to create large lace-like pattern repeats that could be printed onto soft silks. These could be beautiful organic echos of much of the found lace items we have used throughout Re-worked project.

The Pink Basque

The pink basque and the pins both are from Nicola's final parcel to me. I have worked with the basque as a whole garment leaving it's actual form and structure untouched but thought it might be fun to play around with ideas of wearability, comfort and contact. These gold pins are very fragile and pliable to touch but when layered and lined up they become collectively strong and sharp. Immediately upon touching the basque, I am vulnerable to (mild!) pain which is thought provoking when considering our Re-worked aim of communicating preciousness in materials - making my own experience with this garment vulnerable inspires further awareness.
Aesthetically, I love the combination of the gold and baby pink and I like that the pins target only the elastic. This was partly because, already perforated, I was able to pass the pins through the material easily, the form of the pins unaffected but also because I felt it important to embellish only certain panels or sections of the basque.
The basque is a 'statement' piece, even without embellishment, reminding me of Madonna circa 80's and more recently, Lady Gaga.

Collars

Some ideas I've been throwing around for the mens collars that Nicola sent me...
Apologies for the quality of the images - I haven't the best scanner in the world and I had to use photographs from my phone (note the yellowing collar second from the bottom is not so yellow in real life!)
I have been thinking mostly about composition, combinations of materials (though nothing too wild as I don't think that these pieces should be overcomplicated), weight, shape and scale...
I feel that it is important to put real thought into the process before I apply anything to any of the collars, particularly the white ones as I am unsure as to how well the starch will take any rusting. I want to get them right. Though it is tough to predict what an erratic process such as rusting will do!
More to follow...

Unplanned Post

This is not the post I had hoped to make tonight - I am having irksome technical difficulties uploading photographs of my latest experiments. So instead, I decided to show some more goodies I've found laying around. On my jaunt around the factory I work in, I found some utter beauts but they were sadly too large to pocket, so for now, meet these:

Another mobile phone special, this photograph lacks in quality but I am glad that it still portrays well the warped shapes of these 'specimens'. I still enjoy the idea of cataloguing these found pieces and examining them for inspiration. I feel that shape manipulation and moulding are aspects that I would like to play around with more. Being a printer by trade I am too quick to 'make prints' and dye as opposed to physically kneading my materials and affecting their structure.

Latest Playthings...

Here are some of the materials Nicola has recently sent me. I am playing around with a few ideas - how to rust/affect each of them, composition, end use etc. Nicola has a great eye for delicate, lovely things...

Apologies for the darkness of the last pictures. I feel when edited, that they do not correctly represent the true colours of the handkerchiefs... They are beautifully fragile, so I am taking care in considering how to use them. I wonder who 'R' and 'E' are!?!

Will post some sketches soon! 

Fabric Samples

In response to an earlier post in which Nicola and I discussed the possibility of producing rusty prints from rubbings, I have experimented with fabric swatches. Having begun with different weighted papers I found that too smooth or dry a surface encourages the rust to simply flake away. In order to make successful prints from the rust deposits a damp surface is needed. Samples previous to the paper below were dampened before rubbing but without prolonged contact with the damp surface, produced a weak print. The paper below was left overnight in damp conditions pressed against a pre-rusted paper clip chain.

 The results, though strong in colour, lack form.

I found that fabric treated with diluted vinegar and kept in the same conditions as the above, produced a far clearer print, with the fabric moulding to shape as it dried.

I think that making literal prints such as this could be an interesting way of making printed jewellery e.g. an emulative necklace or bracelet.

Powder Puffs - Post Rusting

As expected, these have been well dyed whilst rusitng despite my vigillance with exposure to oxygen being unpredictable in the continuation of the process. Again, I find these interesting as objects but am unsure as to how these would fit in with our final collection - perhaps not sophisticated enough an outcome. The sample in the bottom image rather reminds me of a mushroom! In the flesh, it's texture is pleasing - the embossing effect having been successful. I had planned to remove the staples but seeing the samples as they are now, I fear that removing them would leave them a bit lack luster - the embedded metal adds interest to the softness of the puffs.  

Initial Doodles etc.

Most of the items from Nicola that I am attempting to rust/affect at the moment have been plated in some form, so there are no big changes to be seen as yet - my vinegar solutions and concoctions are still working away! So in the mean time I wanted to post a couple of sketches to indicate what I'm aiming for in my experiments with repetition...

 I think that the larger hooks and eyes will produce some really lovely rusted prints - different compositions will work well as stand alone images or as long lines of emulative chains. I think I will begin with silks and glazed cottons.

A few rubbings to give an intial impression of how the imagery should appear. And below, a print made from rusted paper clips on parchment. The paper clips rust fairly easily and immediately came to mind when I began to consider the idea of creating links and chains - they're proving useful in these early stages. Hopefully, I'll be able to make more of this ilk when the pearl wire rings and brace clasps have succumbed to the rust!

And again, further paper clip experiments. I like the different grades of rustiness on each - all are entirely individual. Can't wait to get going with the rest of our materials!