Final Idea 2

This piece is, again, a customised basic top featuring panels of light fabric. I will have to consult with Sara on which fabric would be best as I had pictured some sort of chiffon but I don't know if that would be too light to be branded without completely falling apart. Possibly it will have a mix of current top/vintage material or vice versa. I like the idea of this being a very floaty, feminine piece with very obvious burns/stains standing out. I wanted to do a graduated pattern mixing two techniques I've blogged previously; small rusted pin holes and then larger branded circles using pearl wire at the bottom. I chose these two techniques as I was particularly pleased with their results. Again, I will have to consult with Sara about how best to apply the panels to the top or if we would have to reconsider the shape of the panels.

A close up of the panels graduated pattern.

Final Ideas Sketch

One of my final piece ideas which consists of a dark top of some description - whether vintage or contemporary is yet to be seen - which would feature collars or clusters of cross stitch loops pulling the fabric tight to highlight marks made with bleach. The patterns could run across the top of the item of clothing and be highlighted by the loops or the mark making could only be applied to the pulled fabric. I like the idea of attaching the cross stitch hoops using vintage or unusually coloured threads to pick up the variety of colours the bleaching will create. I'm not yet decided on the type of clothing yet as I'm hoping that we shall stumble across a beautiful unusual item that will be instantly recognisable as the right one to use - as seems to have happened previously with Re-worked. This design could be reversed in that the top could be light with the application of colour, but the idea of the bleach stripping the fabric as a destructive tool really appeals to the project.

2 more...

via Pinterest

I actually tried doing some burn marks with irons in the early stages of Re-worked without much success as the iron has a safety setting so that it switches off if it gets too hot so my marks were very faint. It was suggested to use some old style irons (perhaps antique) heated up and again using this for branding. I love this image as it shows the variety of marks that can be made from the same type of object.

Another pin on Pinterest to catch my eye was this image (above) by a fellow blogger: Julia Weber

This is a container full of pennies which have been soaked in vinegar for a week which creates a lovely blue stain which this blogger has used for wood. I've been trying to include more colours in the mark making of Re-worked and I think this a lovely way of creating a marking element.

Inspiration Spot

Leggings by Sianic Wear.

A final spot of inspiration - bleach on leggings. Love this use of mark making using "destructive" materials. Still working on final piece drawings which I hope to share soon for the project!

Re-worked Skill Swap: Dundee

So today Nicola is visiting Dundee and it's my turn to show her a little tricks of my textiley trade. I had hoped, now being a Designer in Residence at DJCAD, that I might take her on a grand old tour of the dye lab, mix up some dyes and make some lovely prints in the studio BUT then I am reminded of the ethos of Re-worked; being spontaneous and reactionary to our materials. So, this considered, I have chosen to host my workshop for Nicola in my home.

Our workspace for the day (my kitchen table) with a range of fabrics etc.

I plan to work with Nicola on a dye technique called Shibori (often regarded as tie-dye but with more to it!) in emulation of some of our natural rusty dyes.

Some Shibori making materials - we will use the polystyrene and string as resist markers.

We will also construct a couple of collars (in a similar vein that is demonstrated by this A Common Thread blog post) mostly by way of hand stitching and perhaps a tad sewing machine as I would like to show Nicola a little pattern cutting and fabric construction. We will design our collar shapes together and pattern cut original shapes a la this. (Thanks Google!)

A vintage collar that Nicola sent me previous is inspiration for this route.

Nicola's workshop was such a wonderfully comprehensive one stop shop of a range of jewellery and metal work techniques that I found my own a rather difficult feat to plan but given the steps we are making towards creating our final pieces, I feel the dye, embellishment and construction techniques I will share with Nicola today are apt in helping us realise Re-worked project. 

Exciting! Can't wait for her to arrive! 

Necklace Design

I have produced some sketches and come up with a final design for a necklace for Sara to make, while I help & tutor her through the process. I designed a necklace that I felt had a look of Re-worked to it - similar colours and themes - and featured some small challenges for Sara along the way; some beading, soldering, oxidising and some branding. 

Below are some doodles and the final design (last picture). Despite designing it, I would love it if Sara had any input whether before making it, or whilst in the process of doing so, as I think it would be interesting to see if the materials bring out some creativity. I can't wait to see if Sara enjoys the task as jewellery making can require a lot of patience! We hope to arrange for Sara to come through soon to Aberdeen to get started!

Ideas for beading - Amber / Hematite?

Pendant sketches.

Workshop Schedule

I have been busy trying to make a list for a workshop "schedule" for Sara's day with me learning some metal work techniques. My list contained the following...

1. Saw piercing.

2. Soldering.

3. Filing & Cleaning.

4. Work with Findings.

5. Oxidising.

6. Beading.

When it occurred to me that most briefs I have followed have a physical outcome hence I have decided that to make the day more enjoyable, and rather than just follow some random tasks, I decided to set Sara the task of making a necklace. I think trying to make a piece will tie in nicely with the project as I feel Re-worked is based on acting on ideas quickly and seeing the results to then learn from them. I will produce a small rough sketch of a piece that would incorporate the above list and then talk Sara through the process of making it. I would be interested to see if Sara has any ideas to add to the design and would welcome them! I am really excited to see how Sara will find the day, especially as I often find jewellery making extremely frustrating and often lose my patience with it. Will it be as she expects?! I hope to hear her views both before and after! 

Tea Stains

Here are the pictures of the results of the rose tea staining on the the stud clusters. As hoped there is a nice black rust ring round the clusters and also a nice layer of green on the studs themselves; from the coating of the metal I presume. 

Showing the black stains.

Close up of the clusters and the green coating that has appeared.

I am happy that more colours are being introduced into the work and would like to see more staining coming from the green coating - maybe some rubbings etc.

At the moment I am currently working on a plan for a workshop day with Sara, as we are just at the end of the experimenting stage. Re-worked has had to take a bit of a back seat, especially in the last few months as Sara is studying hard for her final Masters assessments, however we hope to get back on track quickly once it's ended. The works there - it's just not getting uploaded!! I hope to post the workshop plan this week with lots of basic workshop techniques!

Missouri Bend Studio

I came across this work on Flickr via an image on Pinterest by Missouri end Studio after starting my experiment with some rose tea staining. "Embroidered Drawing on Teabag no.5": Hand stitching on teabag adhered to Japanese paper. Very inspiring.

Rose Tea

I noticed recently that the results from a previous experiment have either rusted or have produced salt crystals in unexpected places (the top handle) and I was inspired to see what results would be produced when experimenting with rust combined with other materials. Someone commented here that rusting with tea can produce a different colour so I decided to rust some previous clusters in tea (I chose rose tea as I had some loose leaves).

My hope is that, as the material the clusters are attached to is slightly plastic like, the tea will rinse off and the felt in the clusters will soak up the tea colour as well as the studs rusting with unusual colours so there will be more contrast in the experiment. 

The sample is currently drying off with some salt to speed up the process and possibly to create crystals. The results will be posted soon!

Doodles

So I have been trying to get my head around this project again so have been doodling in prep for some final pieces. I'm not sure if I've posted any sketchbook for this project before but it actually differs from how I use sketchbooks for jewellery design: more flowing and expressive whereas I'm more technical with jewellery. 

Bow: Affected.

The green staining of the bow reminds me of other natural states of disintegration and decomposition  - I think perhaps some other organic processes could be influenced and induced within our project work. More homework required!

Goodies from the Industrial Estates

In search of some inspiration as to where to go next for Re-worked, I had a dander around an industrial estate in Dundee. It was fruitful:

I have come away with a whole host of ideas in terms of form and texture - very much excited by the De-Icer spray can as I love the way it has crumpled and creased.

Creating Clusters

I have recently been using some plastic/rubbery fabric that Sara passed on to me to use as a base for creating clusters - perhaps Sara can shed some light on what the fabric is - it feels like a shower curtain! The material has proved fantastic for this purpose as it crinkles and forms shapes that a soft fabric would not. I have always had an interest with the idea of "clusters" for Re-worked so I thought I'd try creating a few different styles using the same materials. I've combined the felt circles of different sizes with the silver coloured studs. I will take these further by now using some destructive techniques - would the material melt interestingly if branded? - and will post the results at a later date. I like the idea of combining these clusters with the cape style garment I made in the previous post - a definite contender for a final piece I think.

Nikky Bergman

Beautiful brooches that remind me of Re-worked. Love the layering with rust and clustering details.

Cape

I decided instantly that I wanted this collar to be attached to fabric in a cape-like style. Since my sewing skills aren't fantastic, to say the least, I looked at an alternative way of attaching them and happened upon the studs. These were a very quick way of transforming the pieces and adding some detail to the plain fabric. I want to add some dramatic effect to the collar so will most likely heavily embellish it with different experiments then let the marks naturally make their way down the fabric.

Finding Relationships

A sister -or brother?!- piece of this ( I imagine?), wine glass bottom cover was seen in the previous post. Another rather distinctive item, I have been playing today with other relative materials, concentrating on contrasting textures and emulative form. Combining other circular pieces with this and trying to build upon the 'case'-like quality of the cover, I am still, as yet, unsure of where to move forward with this. These came as a set of four so there is plenty of scope to experiment.

The Pink Basque

The pink basque and the pins both are from Nicola's final parcel to me. I have worked with the basque as a whole garment leaving it's actual form and structure untouched but thought it might be fun to play around with ideas of wearability, comfort and contact. These gold pins are very fragile and pliable to touch but when layered and lined up they become collectively strong and sharp. Immediately upon touching the basque, I am vulnerable to (mild!) pain which is thought provoking when considering our Re-worked aim of communicating preciousness in materials - making my own experience with this garment vulnerable inspires further awareness.
Aesthetically, I love the combination of the gold and baby pink and I like that the pins target only the elastic. This was partly because, already perforated, I was able to pass the pins through the material easily, the form of the pins unaffected but also because I felt it important to embellish only certain panels or sections of the basque.
The basque is a 'statement' piece, even without embellishment, reminding me of Madonna circa 80's and more recently, Lady Gaga.